Saturday, 5 May 2012

[G286.Ebook] Download PDF Black Evening: Tales of Dark Suspense, by David Morrell

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Black Evening: Tales of Dark Suspense, by David Morrell

David Morrell, whose many bestsellers include Double Image, Extreme Denial, and The Brotherhood of the Rose, has consistently redefined the modern thriller. Now he turns to a darker side of suspense in a powerful collection of tales, many of them award winners, that delve into the weird, uncanny terrors that lurk just beneath the comforting surfaces of daily life.

Fear of loss, fear of pain, fear of madness, fear of being trapped, fear of the inescapable, unspeakable horrors that fester deep within the soul.... No matter who or where you are, fear is always with you, always ready to attack from behind the masks of thought and dream.

Let David Morrell tell you a story...

  • Sales Rank: #2147811 in Books
  • Color: Black
  • Published on: 2000-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.99" h x .97" w x 5.00" l, 1.06 pounds
  • Binding: Mass Market Paperback
  • 439 pages
Features
  • ISBN13: 9780446608640
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Amazon.com Review
David Morrell is best known for testosterone-fueled thrillers like Extreme Denial and First Blood (whose excellent movie version, reissued on DVD in 1999, stars Sylvester Stallone as Rambo). But Morrell has also penned many frightfully scary short stories. In Black Evening, he presents 16 of his favorites, each with a fascinating introduction explaining what provoked him to write it.

"The Dripping" (1971) came to the author in a dream that most would regard as a nightmare. In this eerie little number, a father faces his worst fear when his family goes missing. Morrell suffered his own family tragedy in January of 1987, when his son Matt was diagnosed with bone cancer. "Orange Is for Anguish, Blue for Insanity" (the Horror Writers Association's best novella of 1988) was written shortly before Matt's death. Writing about a mad painter kept Morrell sane: "The made-up horror was paradoxically providing a barrier from real-life horror." But after Matt's death, Morrell was besieged with panic attacks, and could do nothing but "stare at the ceiling" for three years. A harrowing story about lost children and a long buried family secret, "The Beautiful Uncut Hair of Graves" (another HWA award-winner) signified Morrell's return to short fiction. The title is taken from Walt Whitman's poem about death and children; John Rambo's name is a pun on Arthur Rimbaud. Morrell is a genre writer with a poet's soul.

And whether he's writing stories of subtle psychological terror or conjuring up scenarios of pure horror, Morrell never fails to scare the bejesus out of us. --Naomi Gesinger

From Publishers Weekly
Though best known for his high-action thrillers, Morrell has traveled many side roads in his long writing career--horror novels, westerns, even a highly personal account of his teenage son's losing battle with cancer. Now, he offers up a generally intriguing but uneven collection of 15 short stories written over a 20-year period ending in 1992. Many of the entries here are vintage Morrell, featuring dark themes, dark humor, bursts of action, a setting that's slightly askew and a main character driven by fear. "The Typewriter" tells of a writer's panic when his magic typewriter no longer turns out bestsellers. "At My Back I Always Hear" is a haunting account of a college professor (which Morrell once was) stalked by a student. The best of the stories showcase Morrell's ability to capture pure, hard-driving suspense, often culminating in unspeakable tragedy or bizarre discovery. These include "Orange Is for Anguish, Blue for Insanity" and "The Beautiful Uncut Hair of Graves." The weaker links among the entries are those with a decidedly creepy bent representative of Morrell's horror period. Among them are "The Dripping," Morrell's first published work; "Black Evening"; and "For These and All My Sins." Even the less successful stories, however, have a gripping quality--some twist or mood that drives the plot forward and locks a reader's attention. Morrell (The Brotherhood of the Rose) prefaces all the stories with personal anecdotes and other autobiographical reflections that place them in a meaningful context. In a foreword and afterword, Morrell talks about his career thus far.
Copyright 1999 Reed Business Information, Inc.

Review
'Fresh, inventive, gripping suspense. Morrell plays by his own rules and leaves you dazzled' -- Dean Koontz 'The story grabs you by the short hairs of your soul and your brain and does not let go. It's a rich and obsessive novel' -- James Ellroy* 'The most chilling story of a man-hunt I have ever read' -- Daily Express

Most helpful customer reviews

4 of 4 people found the following review helpful.
Finally in one volume
By Michael Lerch
There have been several times that I have bought an anthology like "Prime Evil" so that I could read an otherwise unreleased Stephen King or Clive Barker story, and ended up being blown away by the stories of David Morrell. Finally, K-Tel-like, everyone can enjoy these powerful, imaginative stories without having to buy a dozen other books.
While this collection does not contain all of Morrell's short fiction, it does contain all that I had read in other anthologies, most notably the powerhouse novella "Orance is for Anguish, Blue for Insanity," one of my all-time pieces of fiction, short or otherwise. I am a fan of author notes in collections, and Morrell doesn't disappoint. While he doesn't expound the way that, say, Harlan Ellison does, there are short notes before each store in addition to a Foreword and Afterword, and these add a texture to the book that I think makes your first read more enjoyable and increases the re-readability. Plus if you've already read a couple of these in anthologies it is nice to see the author's perspective instead of the anthology editor's perspective before the stories.
I read this during a particularly hot summer week and found it to be perfect for this setting...the stories are engrossing enough that I forgot about the heat, and a few times I caught a genuine bit of a chill! Anyone who enjoys dark stories or speculative fiction should give this great book a read.

1 of 4 people found the following review helpful.
Black Evening
By M.R.B.
Am not a fan of short stories, but these were very good.

19 of 21 people found the following review helpful.
Great stories, vintage Morrell!
By Zes
I just read a few of the stories in "Black Evening" and had a lot of scary delights. David Morrell is great when it comes to suspense and thrillers and now, horror. He mixes a sense of his thrillers in with his horror stories making them much more exciting. I could even go on to compare with Stephen Kings short stories in "Skeleton Crew" Well done Mr.Morrell!

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From Europeanisation to Diffusion (West European Politics)From Routledge

This book provides a comprehensive account of the extent to which policies and institutions of the European Union (EU) spread across different contexts. Are the EU’s attempts to transfer its policies and institutions to accession and neighbourhood countries sustainable and effective? To what degree do other regions of the world emulate the EU’s institutional features, what are the mechanisms of, and conditions for, their diffusion? Chapters deal with Europeanization in the new EU member states, particularly in Romania and Bulgaria, in current accession candidates, i.e. the Western Balkans and Turkey, as well the Eastern (Southern Caucasus) and Southern Neighbourhood (Israel and the Maghreb). In addition, authors investigate the diffusion of EU policies and institutions in Sub-Saharan Africa, Asia, and Latin America. The authors place Europeanization studies in the wider context of research on transnational diffusion, and examine the relevant mechanisms and processes, including incentives and capacity-building, socialization and learning as well as functional and normative emulation. Finally, the book discusses what conditions lead to the successful diffusion of European institutions and policies, such as domestic incentives, degrees of (limited) statehood, regime type, and power (a)symmetries.

This book was originally published as a special issue of West European Politics.

  • Sales Rank: #3703248 in Books
  • Published on: 2014-01-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x .90" w x 6.20" l, 1.25 pounds
  • Binding: Hardcover
  • 232 pages

About the Author

Tanja A. B�rzel is Professor of Political Science and holds the Chair of European Integration at the Otto-Suhr-Institute of Political Science, Freie Universit�t Berlin, Germany. With Thomas Risse, she heads the Research College ‘The Transformative Power of Europe’ funded by the Deutsche Forschungsgemeinschaft.

Thomas Risse is Professor of International Politics at the Otto-Suhr-Institute of Political Science, Freie Universit�t Berlin, Germany. With Tanja A. B�rzel, he heads the Research College ‘The Transformative Power of Europe’ funded by the Deutsche Forschungsgemeinschaft.

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Public personnel administration in the United States, by N. Joseph Cayer

  • Sales Rank: #8452581 in Books
  • Published on: 1975
  • Binding: Unknown Binding
  • 178 pages

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Friday, 4 May 2012

[Q905.Ebook] Get Free Ebook C# 5.0 in a Nutshell: The Definitive Reference, by Joseph Albahari, Ben Albahari

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C# 5.0 in a Nutshell: The Definitive Reference, by Joseph Albahari, Ben Albahari

When you have a question about C# 5.0 or the .NET CLR, this bestselling guide has precisely the answers you need. Uniquely organized around concepts and use cases, this updated fifth edition features a reorganized section on concurrency, threading, and parallel programming—including in-depth coverage of C# 5.0’s new asynchronous functions.

Shaped by more than 20 expert reviewers, including Microsoft’s Eric Lippert, Stephen Toub, Chris Burrows, and Jon Skeet, this book has all you need to stay on track with C# 5.0. It’s widely known as the definitive reference on the language.

  • Get up to speed on C# language basics, including syntax, types, and variables
  • Explore advanced topics such as unsafe code and type variance
  • Dig deep into LINQ via three chapters dedicated to the topic
  • Learn about code contracts, dynamic programming, and parallel programming
  • Work with .NET features, including reflection, assemblies, memory management, security, I/O, XML, collections, networking, and native interoperability

"C# 5.0 in a Nutshell is one of the few books I keep on my desk as a quick reference."

—Scott Guthrie, Microsoft

"Whether you’re a novice programmer or an expert who wants to improve your knowledge of modern asynchronous programming techniques, this book has the information you need to get the job done in C#."

—Eric Lippert, Microsoft

  • Sales Rank: #352175 in Books
  • Brand: Brand: O'Reilly Media
  • Published on: 2012-06-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 2.40" w x 6.00" l, 3.05 pounds
  • Binding: Paperback
  • 1064 pages
Features
  • Used Book in Good Condition

About the Author
Joseph Albahari has published 7 books with O'Reilly and is the inventor of LINQPad, the popular .NET utility. Joe speaks regularly at conferences and user groups and has been awarded a C# MVP five years running.

Ben Albahari, a former program manager at Microsoft, is the founder of TakeOnIt, a website for comparing the opinions of experts, leaders and organizations on controversial topics.

Most helpful customer reviews

23 of 23 people found the following review helpful.
Densely Packed with Useful Explanations
By Mark
From the very start the book presents useful knowledge in an orderly fashion. It starts with a brief but useful background of the development path of the language and then jumps straight into the groundwork of datatypes. Then it builds up, methodically and expressively from there.

You can follow along by executing all the code samples in LINQPad, which you can download for free. You can download all the examples in the book from the "Samples" tab in LINQPad. A folder tree presents each of the chapters and topics in the book and within each of these is the code which you can run by clicking the play button. This is how all programming should be taught. Then you can continue to use LINQPad as an invaluable tool for querying databases and web data in your work life.

There is a downside to getting the Kindle edition. The code font is strangely small. All through the book the very text which is the subject of the book is written in a minute font size that is less than half the size of the normal text. Until this is fixed in the Kindle edition it will be a constant annoyance. You either have to make your normal text absurdly large, which will affect all the formatting of every page, or you will find yourself squinting and leaning forward every time the book gets to the interesting part.

UPDATE: The Kindle problem is only in the CLOUD READER. The installed PC reader is probably better anyway and does not suffer at all from this problem. I use the installed Kindle for PC and the Kindle for Android on my Galaxy S3 with no problems at all.

35 of 37 people found the following review helpful.
Great Book, Reference manual etc.
By Javaman
I have almost all C# books dating back to 2002. While Troleson and Macdonald do a nice job in their books (my ex-favorites), the Alhabari brothers do a better job! They have intimate detail of what happens behind the scenes, and they stick to a formula of being "Clear" "Complete" and "Concise".

If you are on the fence on this (like me) because you already have all the books and have been into C# for about 10 years, do yourself a favor and buy this book. One of the coolest things about this book is that it is a full 2" less wide than the other mule-chokers. At 1000+ pages, I am able to handle the book with ease and use it in the way a true desk reference book should be used.

I'd rate it six stars if I could.

63 of 68 people found the following review helpful.
Definitely a Reference and not a tutorial
By T. Hudg
I"ve got mixed feelings about this book. Since it is clearly labeled a Reference, I can't fault it for being just that. It covers a huge array of topics but to me, it reads too much like a bunch of man page. It tells you exactly what each class does but what it's missing for me are the scenarios where these classes and object can be used.

In the description of a class or method, the authors give an example that completely demonstrates the method but I found myself having to study it very hard to figure out what they are trying to show and how I might be able to use it in my own program.

I will definitely use this book as the reference that it is but I may look for another that is a bit more of a tutorial for C#.

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Monday, 30 April 2012

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Framing Muslims: Stereotyping and Representation after 9/11, by Peter Morey, Amina Yaqin

Can Muslims ever fully be citizens of the West? Can the values of Islam ever be brought into accord with the individual freedoms central to the civic identity of Western nations? Not if you believe what you see on TV. Whether the bearded fanatic, the veiled, oppressed female, or the shadowy terrorist plotting our destruction, crude stereotypes permeate public representations of Muslims in the United States and western Europe. But these "Muslims" are caricatures―distorted abstractions, wrought in the most garish colors, that serve to reduce the diversity and complexity of the Muslim world to a set of fixed objects suitable for sound bites and not much else.

In Framing Muslims: Stereotyping and Representation after 9/11, Peter Morey and Amina Yaqin dissect the ways in which stereotypes depicting Muslims as an inherently problematic presence in the West are constructed, deployed, and circulated in the public imagination, producing an immense gulf between representation and a considerably more complex reality. Crucially, they show that these stereotypes are not solely the province of crude-minded demagogues and their tabloid megaphones, but multiply as well from the lips of supposedly progressive elites, even those who presume to speak "from within," on Muslims' behalf. Based on nuanced analyses of cultural representations in both the United States and the UK, the authors draw our attention to a circulation of stereotypes about Muslims that sometimes globalizes local biases and, at other times, brings national differences into sharper relief.

  • Sales Rank: #1619890 in Books
  • Brand: Brand: Harvard University Press
  • Published on: 2011-06-13
  • Released on: 2011-05-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .89" w x 5.77" l, .74 pounds
  • Binding: Hardcover
  • 256 pages
Features
  • Used Book in Good Condition

Review
In this rich and methodical deconstruction of the thick frame that surrounds nearly all discussions about Muslim minorities in British and American culture today, Peter Morey and Amina Yaqin have exposed the dark power of stereotyping Muslims to the light by scrutinizing everything from "terror" television shows to Muslim leaders' own stereotypes. As an example of cultural studies, the book is exemplary. As an intervention into some of the most urgent political debates of our day, it is both compelling and necessary. (Moustafa Bayoumi, author of How Does It Feel To Be a Problem? Being Young and Arab in America)

Absorbing, disquieting, and compelling, Framing Muslims alerts us to the new and alarming ways that, in the aftermath of 9/11, 'Muslims' have come to represent a political problem waiting to be solved. With clarity, urgency and forensic skill, Peter Morey and Amina Yaqin explore and celebrate ways out of 'the frame' while unravelling the regulatory agendas of fanatics and liberal reformers alike that are currently breathing new life into discredited stereotypes. Essential wisdom for all who care and are daring to write about Islam, racism, and the politics of commodified multiculturalism today. (Gerald MacLean, co-author of Britain and the Islamic World)

Framing Muslims is an enlightening book. It is sure to make us more critical of the power and influence of media in shaping our views on Muslims and Islam. Peter Morey and Amina Yaqin deserve applause for their worthy effort. (Joseph Richard Preville Saudi Gazette 2011-05-08)

Groundbreaking...Drawing on their diverse backgrounds in English and Urdu literary and cultural studies, Morey and Yaqin examine...[how] veils, beards, men at prayer, and minarets stand in for Muslims in all their heterogeneity and complexity...[An] illuminating work. (Claire Chambers Times Higher Education 2011-06-23)

The book makes a notable contribution by going beyond events in the U.S. to examine reactions in Great Britain to the 2005 bombings of the London public transportation system. The authors take a psychoanalytic approach to their examination of the sources of stereotype and negative depiction, thus offering an interesting perspective that had not previously been fully explored. Furthermore, they consider the impact of positive stereotyping. They conclude that both positive and negative depictions of Muslims have revolved around religion, tradition, modernity, and 'clash of civilizations.' (G. C. David Choice 2011-12-01)

About the Author
Peter Morey is Reader in English Literature, School of Humanities and Social Sciences, University of East London.

Amina Yaqin is Lecturer in Urdu and Postcolonial Studies, School of Oriental and African Studies, University of London.

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4 of 5 people found the following review helpful.
...Muslims not the only ones...
By Lester
This topic of this book is dear to my heart for good reasons. I have Middle Eastern friends and my son plays with their kids as well as at school. We have lots of Muslims in this area of South-West Sydney.

Muslims are not the only ones demonised in so many devious and malicious ways. One should also add vicious.

This book contained no surprises for me, as somebody who belongs to a religious minority that gets virtually zero good press, totally non-violent and has been (and continues to be) the targets for both Western and non-Western countries (yes, Islam too), type the name for which we are known by into YouTube, you will see the most awful videos and associated comment. Nothing is too debased for them to bring up (think the worst and you've got it only HALF of it). Of course some claim to ex-members (how can you check?).

Same about the Muslims, hardly anything gets fact checked, and when you do, you get corroborative material from other sources that they themselves have not fact checked, and soon the NEW facts becomes the ACCEPTED facts - no matter how insinuous and hurtful they may be. They often spur VIOLENT ACTS in others - one should never forget, WORDS DO KILL. Disclosure: I am one of Jehovah's Witnesses and my own Father was jailed for two years when I was very young.

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Sunday, 29 April 2012

[S434.Ebook] Free Ebook "I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa, by Charles Brandt

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Soon to be a major motion picture directed by Martin Scorsese. The working title for the movie is "The Irishman".

Updated with a 57-page Conclusion by the author that features new, independent corroboration of Frank Sheeran's revelations about the killing of Jimmy Hoffa, the killing of Joey Gallo and the murder of JFK, along with stories that could not be told before.

The first words Jimmy Hoffa ever spoke to Frank "the Irishman" Sheeran were, "I heard you paint houses." To paint a house is to kill a man. The paint is the blood that splatters on the walls and floors. In the course of nearly five years of recorded interviews Frank Sheeran confessed to Charles Brandt that he handled more than twenty-five hits for the mob, and for his friend Hoffa.

Sheeran learned to kill in the U.S. Army, where he saw an astonishing 411 days of active combat duty in Italy during World War II. After returning home he became a hustler and hit man, working for legendary crime boss Russell Bufalino. Eventually he would rise to a position of such prominence that in a RICO suit then-U.S. Attorney Rudy Giuliani would name him as one of only two non-Italians on a list of 26 top mob figures.

When Bufalino ordered Sheeran to kill Hoffa, he did the deed, knowing that if he had refused he would have been killed himself.

Sheeran's important and fascinating story includes new information on other famous murders including those of Joey Gallo and JFK, and provides rare insight to a chapter in American history. Charles Brandt has written a page-turner that has become a true crime classic.

  • Sales Rank: #9149 in Books
  • Published on: 2016-06-29
  • Released on: 2016-06-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.10" w x 6.00" l, .81 pounds
  • Binding: Paperback
  • 384 pages

Review
Please visit WWW.CHARLESBRANDTAUTHOR.COM

“One of Sheeran’s virtues was his gift as a storyteller; one of his flaws was his tendency to murder, in mobster jargon, ‘to paint houses.’ . . . Although he professed his loyalty to Hoffa – he said on one occasion, ‘I’ll be a Hoffa man ‘til they pat my face with a shovel and steal my cufflinks’ − Sheeran acknowledged that he was the one who killed the Teamsters boss. . . . On July 30, 1975, Hoffa disappeared. Sheeran explains how he did it, in prose reminiscent of the best gangster films.” �— Associated Press

“Sheeran’s confession that he killed Hoffa in the manner described in the book is supported by the forensic evidence, is entirely credible, and solves the Hoffa mystery.” �— Michael Baden M.D., former Chief Medical Examiner of the City of New York

I Heard You Paint Houses “gives new meaning to the term ‘guilty pleasure.’ It promises to clear up the mystery of Hoffa’s demise, and appears to do so. Sheeran not only admits he was in on the hit, he says it was he who actually pulled the trigger — and not just on Hoffa but on dozens of other victims, including many, he alleges, dispatched on Hoffa’s orders. This last seems likely to spur a reappraisal of Hoffa’s career. . . . Sheeran is Old School, and his tale is admirably free of self-pity and self-aggrandize�ment. Without getting all Oprah about it, he admits he was an alcoholic and a lousy father. His business was killing people, and . . . he did it with little muss, fuss or introspection.’’ — Bryan Burrough, author of Public Enemies, in The New York Times Book Review

“Is Sheeran believable? Very . . . and ‘I Heard You Paint Houses’ is a very enjoyable book.”�—Trial Magazine

“A page-turning account of one man’s descent into the mob.”�—Delaware News Journal

“I’m fully convinced – now – that Sheeran was in fact the man who did the deed. And I’m impressed, too, by the book’s readability and by its factual accuracy in all areas on which I’m qualified to pass judgment. Charles Brandt has solved the Hoffa mystery.”�—Professor Arthur Sloane, author of�Hoffa

“One of Sheeran’s virtues was his gift as a storyteller; one of his flaws was his tendency to murder, in mobster jargon, ‘to paint houses.’ . . . Sheeran acknowledged that he was the one who killed the Teamsters boss. . . . On July 30, 1975, Hoffa disappeared. Sheeran explains how he did it, in prose reminiscent of the best gangster films.”�–Associated Press

“Told with such economy and chilling force as to make The Sopranos suddenly seem overwrought and theatrical.”�—New York Daily News

“A terrific read.”�—Kansas City Star


From the Inside Flap
"I heard you paint houses" are the first words Jimmy Hoffa ever spoke to Frank "the Irishman" Sheeran. To paint a house is to kill a man. The paint is the blood that splatters on the walls and floors. In the course of nearly five years of recorded interviews Frank Sheeran confessed to Charles Brandt that he handled more than twenty-five hits for the mob, and for his friend Hoffa. Sheeran learned to kill in the U.S. Army, where he saw an astonishing 411 days of active combat duty in Italy during World War II. After returning home he became a hustler and hit man, working for legendary crime boss Russell Bufalino. Eventually he would rise to a position of such prominence that in a RICO suit then-U.S. Attorney Rudy Giuliani would name him as one of only two non-Italians on a list of 26 top mob figures. When Bufalino ordered Sheeran to kill Hoffa, he did the deed, knowing that if he had refused he would have been killed himself. Sheeran's important and fascinating story includes new information on other famous murders, and provides rare insight to a chapter in American history. Charles Brandt has written a page-turner that is destined to become a true crime classic.

About the Author
Born and raised in New York City, Charles Brandt is a former junior high school English teacher, welfare investigator in East Harlem, homicide prosecutor, and Chief Deputy Attorney General of the State of Delaware. In private practice since 1976, Brandt has been president of the Delaware Trial Lawyers Association and the Delaware Chapter of the American Board of Trial Advocates. He has been named by his peers to both Best Lawyers in America and Best Lawyers in Delaware. He is a frequent speaker on cross-examination and interrogation techniques for reluctant witnesses. Brandt is the author of a novel based on major cases he solved through interrogation, The Right to Remain�Silent. He is also the co-author of Joe Pistone's Donnie Brasco: Unfinished Business and of Lin DeVecchio's We're Going to Win This Thing: The Shocking Frame-Up of a Mafia Crime Buster.

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2 of 2 people found the following review helpful.
I Heard You Paint Houses (mob argot for "I heard you murder people) is the story of a hit man and the disappearance of J. Hoffa
By C. M Mills
Charles Brandt the New York born author has done an excellent job of telling the story of Frank "Irish" Sheran a hit man for the mob. Sheran was born in an Irish neighborhood in Philadelphia in 1920. He was tall and hefty. In World War II he served as a combat soldier for 411 horrendous days in hellholes such as Salerno and Anzio. After the war he married and got involved with the Italian dominated Costra Nostra. He became a friend of a mob boss becoming involved in union activities as well as many criminal activities. He was a hit man and killed many men. He was a good friend of Jimmy Hoffa and tells the story of the union leader's disappearance in detail. We also learn about the Watergate scandal and how Hoffa and the mob gave money to Nixon. The book is to be turned into a new film . An interesting look at organized crime. First person quotes from Sheran are used throughout the book. He served time in prison and died in 2003. A good read for fans of Mafia and true crime books.

4 of 4 people found the following review helpful.
Great book, but read the qualifications ....
By Joseph M Pimbley
Excellent book - I recommend it for some readers and with some qualifications. Two key interests a reader should have to enjoy this book immensely are appreciation of history and a curiosity for criminal stories and organized crime. Amazingly, there's a great deal of US history here beyond Jimmy Hoffa. The central question is: did Sheeran (the main character) lie to the author? Or is it all true? There's no middle ground. If Sheeran lied on some aspects, then we should not trust any other aspects. To believe Sheeran is to believe: (i) Sheeran killed Hoffa; (ii) the mob assassinated JFK; (iii) the mob threw the 1960 election to JFK by vote fraud in Illinois; (iv) JFK's motive in Bay of Pigs was payback to organized crime to recoup lost assets in Cuba; (v) Joe Kennedy maintained his mob ties his entire life and implied to crime figures that he could "control" his sons JFK and Bobby; (vi) Jimmy Hoffa ordered many violent illegal activities including murder; (vii) the mob made cash bribes to John Mitchell - Nixon's attorney general; (viii) Mitchell actually accepted one such bribe at the front door of his own home. Can all of this really be true? It would be SHOCKING! So I have trouble believing it. One further draw for "I Heard You Paint Houses" is that the main character is such a sociopath. In almost all books, the reader wants to identify with the main character. I sense that the author TRIES to get the reader to identify with Sheeran. Perhaps the author himself bonded with Sheeran. That's bizarre - Sheeran was evil incarnate with a functional and handsome exterior.

0 of 0 people found the following review helpful.
Fascinating story
By K K Schwartz
This is a fascinating story that not only encompasses the disappearance of Jimmy Hoffa but also the mob; John Kennedy, his Presidency and his assassination; Bobby Kennedy, his acts as Attorney General, and assassination; Richard Nixon and his Presidency; the Cuban Revolution and the Bay of Pigs invasion. Whew! This is the reason this book is so long...the research by the author is amazing. Frank Sheeran is a hit man for the mob and before his death wanted to "confess his sins" and from interviews over a long period of time, the author has compiled the testimonies of Sheeran into this book. A lot of mysteries are solved, if Sheeran told the truth. At times, the story rambles and repeats itself. I feel the author lost his way a bit by becoming too emotionally close to Sheeran, forgetting that he was a cold-blooded killer who used the court system to avoid punishment way too long and even when imprisioned, the stretch served wasnt any more than a slap on the wrist. One sentence that I was astounded to read was when Sheeran faced his death by saying, "...I confessed my sins to a priest and he forgave them." Frank fully believed he and all his buddies that found religion were all heaven bound.

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Behavioral Momentum: A Scientific Metaphor, by John A Nevin

Behavioral Momentum Theory is concerned with the persistence or resistance to change of learned behavior in relation to its history of reinforcement. The theory is sometimes invoked in relation to reinforcement-based treatments of behavioral problems in applied and clinical settings. This book describes the development of the theory in basic research with pigeons and its metaphoric origin in Newton’s second law of motion. Readers are introduced to foundational concepts in behavioral research, the methods employed in research on resistance to change, and some basic quantitative techniques that are used to analyze data and develop theoretical accounts. In each chapter, the procedures and results of basic research conducted with pigeons and other animals are related to findings with human participants in comparable procedures; a final chapter concentrates on clinical applications. Much of the material presented here will be familiar to researchers in the experimental and quantitative analysis of behavior; I hope this retrospective summary of my work will prompt them to revisit unresolved questions and explore alternative interpretations. But this book is written primarily to provide some research and conceptual background for dedicated professionals and their students who are applying behavioral analyses to socially significant problems. If it helps them to implement effective, durable treatments, this book will have served its purpose.

  • Sales Rank: #606657 in Books
  • Published on: 2015-05-26
  • Original language: English
  • Dimensions: 9.00" h x .51" w x 6.00" l,
  • Binding: Paperback
  • 224 pages

About the Author
John A. Nevin, known as Tony, professor emeritus at the University of New Hampshire, studied engineering at Yale University, served in the US Coast Guard, and obtained his Ph.D. in Experimental Psychology at Columbia University in 1963. Since then, he has published over 100 articles and book chapters on the experimental analysis of behavior, many of them co-authored with colleagues, graduate students, and undergraduates. He has received awards from Division 25 of the American Psychological Association, the Society for the Advancement of Behavior Analysis, and the Society for the Experimental Analysis of Behavior for his research contributions and their impact on application.

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